Handicrafts
Jordan has become famous for the high
standard of crafts available to tourists and local people
alike. A wide variety of crafts fill the shops of Amman and
the bustling bazaars of the smaller towns and villages, far
from the capital. Crafts as pottery, jewelry, embroidery ,
carpets, and traditional costumes. Also found around Amman are
some of the finest glass blowers who continue to create
fabulous glass objects in styles typical of the region. The
nomadic Bedouin's flocks of sheep are fine providers of wool.
Woven on small looms and made into all types of goods. One of
the most rewarding purchases to make is that of an Arab
oriental rug or carpet. Every rug has its own intristic
character, its own special feel and unique design.
History Of Handicraft
Traditional handicrafts in Jordan have been passed down over
many generations, from a time when all Jordanians met their
domestic needs by weaving their own rugs and making their own
earthenware and utensils. A rich cultural melange of Arab and
Islamic imagery is reflected in Jordanian crafts, which
include handmade glass, earthenware, basket and rug weaving
and embroidery. Crafts produced on a smaller scale include
sand bottles, sculpture and silver jewelry. These practical
crafts were once threatened by the introduction of modern
industrial products. Fortunately, however local artisans
sparred a renaissance by incorporating new influences into
time - honored traditions to produce modern versions of the
ancient.
Ceramics:
Probably the most ancient craft in Jordan is the creation of
earthenware products out of silsal (Arabic word for clay).
Pottery was first invented in the Levant in the Sixth
millennium B.C. and according to some, its invention may have
been accidental. A lump of clay may have been mistakenly
dropped into a fire and when the ashes cooled, the astonished
discoverer noticed that the clay was hard as rock! The product
of this discovery has become both a science and an intricate
art. Creating sturdy, yet beautiful earthenware is a
sophisticated procedure involving a good deal of
experimentation with different raw materials and methods.
Glassware:
Like ceramics, glass blowing is a craft which combines
practicality with beauty. Today in Jordan one finds vases,
bottles and hand-crafted glasses in magnificent royal blue and
rich green blown glass. The basic shapes and designs of
traditional glassware, common in both Hebron and Jordan, have
deep roots in the region. Archaeologists have discovered
strikingly similar styles dating back as far as the first
century B.C.
Embroidery:
An internationally admired Jordanian craft is embroidery.
Cross-stitch is the most commonly practiced method, with the
weaver employing a combination of various colors and designs
on thobes (Arabic for dresses), shawls and cushions. In
earlier days Palestinian and Jordanian women wove dresses for
their own personal use. Starting at an early age young girls
often embroidered their own wedding dresses.
Rug Weaving:
In the past, both nomadic Bedouins and villagers created hand
woven rugs using ground looms or upright looms. This
handicraft began to fade away as the Bedouins started to
settle. In order to preserve the art, however, Jordanian
artisans worked in partnership with the Save The Children
Charity Organization and the Noor Al-Hussein Foundation to
establish the Bani Hameeda Project,, a self -help rug weaving
"Cottage Industry" which provides independent
supplemental income for rural and urban women. Jordanians
continue to weave handmade rugs in the traditional dark shades
of green, red, black and orange, although in recent years
light pastel colors have also become popular.
Sand Bottles:
For decades, bottles filled with brightly colored sand have
been made by artisans in Aqaba & Petra. The bottles are
inexpensive, and their playful patterns unique to Jordan. It
is said that a Petra Native, Mohammed Abdullah Othman, taught
himself the craft as a child, collecting his material from
nearby mountains and caves. Since there are more than twenty
naturally occurring shades of sandstone, Othman and his
imitators have no need for dyes.